How D Music selects, structures and corrects event information.
This page explains the publisher contribution that sits between raw event feeds and what a visitor sees on D Music.
1. Sources and attribution
D Music can use its own event catalogue together with connected event and ticketing services. Where a record comes from an external provider, D Music keeps the source or ticket-provider relationship attached to the listing and links the visitor back to the original destination for final transaction details. D Music does not present itself as the ticket seller unless that changes explicitly in the future.
2. Normalisation
Different sources describe the same real-world event in different formats. D Music normalises fields such as city, event date, time, venue, music type, genre, coordinates and free/paid status so the records can be compared in one interface. This normalisation is part of the site's publisher value: the visitor can move between a calendar, a venue, an artist and a city search without needing to understand each provider's data structure.
3. Duplicate reduction
When multiple records appear to describe the same event, D Music compares core identifiers such as date, title and venue and prefers a single useful listing. Where a second source adds a ticket link or other missing field, the system may preserve that useful information rather than displaying duplicate cards.
4. Freshness and expired events
D Music refreshes connected data and applies expiry rules. Expired events are removed from current discovery inventory and past event pages are marked so they are not treated as current search destinations. City, neighbourhood and specialist landing pages use inventory thresholds: combinations with too few current matches are marked noindex rather than being promoted as substantive search pages.
5. Specialist and neighbourhood pages
Search pages such as “electronic tonight” or a neighbourhood guide are useful only when they contain enough current events. D Music therefore renders current matching listings into the HTML response and applies a higher publication threshold to the most specific combinations. A page can continue to exist for navigation while being excluded from indexing until the inventory is strong enough.
6. User signals
Community saves and Music Radar actions can influence discovery features such as trending lists or personal recommendations. These signals are not ticket-sales data and D Music does not describe them as proof of commercial popularity. Where a trending page falls back to upcoming events because community activity is limited, the page says so.
7. Corrections and claims
Promoters can submit an event for review. Venues and artists can submit claim information. Submitted contact details are not treated as public editorial content merely because they were entered into a form. Corrections can also be sent directly to the publisher by email. D Music may remove, correct or de-index a record when the underlying information is no longer reliable.
8. Images and audio
Images and audio are not assumed to be free to reuse merely because they are online. D Music uses provider-supplied imagery, configured event imagery or public resources according to the integration in use. Free DJ keeps source and licence information for open tracks and does not extend provider previews beyond the audio resource supplied by the source. Local MP3 files selected by a user stay in that browser session and are not uploaded by the Free DJ interface.
9. Advertising separation
Advertising does not determine whether an event is included or how an event is ranked. D Music's goal is for publisher content to remain the focal point. Empty, error, privacy-choice, account and other utility screens should not be treated as advertising inventory. Where Google advertising is enabled, D Music must also comply with applicable Google consent and publisher requirements.
10. Automated systems and human responsibility
Automation is used to ingest, refresh, match, deduplicate and organise a large event catalogue. Those systems are publishing tools, not a claim that every external fact has been manually verified. The publisher remains responsible for the site's rules, correction channels, original interface, explanatory content and decisions about which page types are eligible for indexing or advertising. Material submitted directly by promoters, artists or venues is subject to review before it is treated as an authoritative correction.
D Music · Joan Beltri · Arquiweb